For his first solo show at Francis Gallery, titled Resonant Line, London-based artist Liam Stevens creates a sense of rhythm with repeated lines and forms, while drawing equal attention to the negative space around them. Featuring layered pigment washes with pencil on canvas, constructed reliefs, and a selection of drawing studies, his work is inspired by the repeating structures he identifies in natural and urban landscapes, as well as his connection to music, which often takes a visual form. In his canvas compositions, subtle vertical grids act as a regular tempo, while groups of horizontal lines create a sense of movement, progressively stepping out of phase with the grid.

Liam Stevens has created a playlist to accompany his solo show, Resonant Line, at Francis Gallery.

Rosemarie Auberson has collaborated with ceramic artist Juliette Teste to produce a collection of ceramic pieces titled Passe Avant Minuit, exhibited at 0fr Gallery, Paris in November 2019. Adopting a mindset of open experimentation, free from any imposed direction or meaning, the partnership resulted in a playful process of creation, with Auberson painting on the ceramic forms created by Teste.

We are pleased to announce the representation of London-based artist, Liam Stevens. His solo exhibition at Francis Gallery will launch digitally next month.

Northover created this work in response to its location - a modernist house in Texas near the Mexican border - amidst the conversations about building a wall between the US and Mexico. The installation explores positioning and the weight of placement, as it defines borders both visible and invisible. The rocks, collected from the surrounding landscape, hold the knowledge of millennia; positioned against the modernist structure of the house, between light and dark, they describe the tension between oppositions.

A portrait of artist Romy Northover, captured during her time at Santa Clara 1728 in Lisbon, Portugal.

Fragments is a collaboration between psychologist Zoe Valentin and artist Rosemarie Auberson. The book is inspired by Valentin’s time working at a care facility in Seine-Saint-Denis, in suburban Paris, with displaced foreign young adults.

During a recent artist residency at Numeroventi, Florence, Yoona Hur drew inspiration from the ancient ceramic forms of the Greeks, Etruscans and Romans, as well as new materials and methods she discovered locally. Prompted by these influences, she set about creating the traditional Korean form of a moon jar from Italian terracotta clay.